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TLC got a little soft for my taste towards the end of their career, but in their early days they did an incredible job of blending witty, aggressive lyrics with some fantastic style that truly epitomized the 90s Dowatchalike fashion ethos.
While the begging referenced in this song may have a very particular goal, I think it’s a sentiment that can be applied to a plethora of situations. When you really want something, sometimes it’s best to let pride take a back seat and lay it all out there. Hopefully the potential grantor of your wish will appreciate how important it is to you, and reward your honesty.
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Karate
I first heard Karate on the once-defunct, now-revived WOXY.com. They were an occasional break from the din of fuzzed-out guitars and nasal, tenor singing. Alongside acts like Wolf Parade and Silver Jews, Karate’s music is positively ethereal. At their best, their songs reside somewhere between portraits and short-stories, free-jazz re-imaginings of early Bruce Springsteen and Tom Waits (think Blinded by the Light and Jersey Girl, respectively).
If that all makes no-sense, it’s because I don’t really understand Karate. I tend to be a bit surprised when they come on both by their sound–so different from the rest of the indie-rock landscape–and that I like it so much. Perhaps the best way I can explain it, is that their name fits them perfectly. Their songs evoke the image of a solitary warrior, surveying the city after it has gone to sleep, all too aware of its flaws but, unable to let go of it. It’s a cinematic cliché, to be sure, but it’s also a film I’d enjoy, and for 5 or 6 minutes, it is wonderful to have that feeling conjured.